Extending the Theory of Organ Projection: A Media Aesthetic Study of Ultra-High-Definition Image Creation

Abstract

The emergence of Ultra-High-Definition (UHD) imaging technology is fundamentally reshaping the visual foundations of film and television production, introducing a paradigm shift that transcends mere technical advancements. This transformative wave necessitates rigorous theoretical examination to address the aesthetic implications it engenders. Drawing upon Ernst Kapp's "organ projection theory" as a foundational framework, this study posits that UHD technology represents a radical extension of human sensory perception, fundamentally reconstructing two pivotal aesthetic dimensions: "realism" and "immersion." Through a meticulous analysis of the technical characteristics of UHD and their correspondence with the "projection-style" enhancement of the senses, this paper elucidates the profound theoretical implications of this technological evolution. By examining specific cinematic texts and literary evidence, the research demonstrates how UHD's high-resolution imagery, expanded color gamut, and enhanced dynamic range contribute to a heightened sense of presence and emotional engagement, thereby redefining audience experience. The study further explores the underlying techno-sensory-cultural logic of this transformation, offering insights into the broader implications for creative practice and academic inquiry in the UHD era. These findings provide a speculative reference for both creators and researchers seeking to navigate the aesthetic challenges and opportunities presented by this technological revolution.